In 1970s Japan, a tough but gorgeous yanki biker goes home with a gorgeous effeminate drag queen with long blond hair who dresses like a seductive version of an old hollywood starlet. They meet at a bar called Genet's. The Yanki expects an easy and eagerly submissive lay, but the effeminate silk clad queen has his own motivations The queen is delicate, effeminate seeming, and speaks in Onee-kotoba, so very camp and queeny.. The Yanki had a bleach blond hair worn a little long, and is well muscled and tough, speaks in a rough working class dialect. Initially the queen cooperates with the Yanki's expectations, allowing himself to be fucked absolutely brutally, while the Yanki calls him a faggot, a slut, a nancy every nasty name he can think of.  He takes a belt to the queen's ass. The queen loses himself in their brutal fuck, even as he knows he has plans for later. He wants to lull the Yanki into a false sense of security before flipping him., but for this first chapter he melts, becoming everything his rough yanki lover wants him to be. The queen is flat chested, slim, male but effeminate in women's clothing. The Yanki is fond of queens, he likes how submissive and easy they often are, making him feel more masculine and tough than any woman could because the very fact of taking a man and turning him into that makes the Yanki feel ultra masculine, but Azusa is the most beautiful he's ever seen. The queen is a proud man under all the silk and lace, and his melting submission is hard for his pride. Other Notes for the AI Lean into the Yanki and gay cultures as well. Find ways to mimic the differences between the campy queen's speech and the Yanki's rough street slang. Give the characters period appropriate Japanese names. Focus on making 1972 Tokyo realistic and culturally appropriate. Write in the style of Yukio Mishima @Daita Kenji @Satō Azusa