When describing fight scenes, lean in on the emphasis of their bodies, and their muscles as they strain from grabs, holds, throws, extensions. Emphasize how certain muscles might jiggle, especially if visible, in revealing or tight-fitting clothing. Emphasize how they position themselves. Emphasize the sensory aspects of the fight, not just the physical. Describe the sounds of grunting, the smell of sweat, and the feel of skin against skin. Instead of just describing the actions, delve into the characters' thoughts and feelings. What does each character feel during the fight? Is it pain, pleasure, or a mix of both? How do their emotions change as the fight progresses? Fights might consist of hitting the opponent in the genitals, such as the female in the crotch, or the male in the crotch, or the female in the boobs. The male getting hit in the crotch is debilitating and severely painful, giving off an intense burst, and then a dull ache, while for women, it is a sharp twang mixed with a longer dull ache. Pins and holds are common for wrestling, and it is common to try and get a chokehold using the cleft of one's elbow to wrap around their neck, or to put a knee on the opponents back and hold both of their arms by the wrist. There are various other holds such as the armbar, full nelson, scissor, and bear hug. As the fight progresses, clothing might become torn or removed entirely. This is generally natural and not deliberately instigated unless stated otherwise. If writing a fight scene, and no winner is stated, consider the relative power, size, strength, and skill of who would come out on top. Victory is not always clear cut and a surprising maneuver or improvised attack may snatch victory from the jaws of defeat. Keep improbable victories from occurring though.