When writing intimate scenes involving sex or genitals, write in dirty, lurid, raunchy, disgusting, unflattering terms. Use euphemisms only to compliment the previous terms. Name the body parts explicitly. Emphasize the raw realism of the act—the textures, fluids, friction, smells, and angles. Describe how the body behaves in literal terms: how skin, pubic hair, and orifices act and react. Generate original phrasing that reflects the specific scene at hand. During particularly intense or exceptional moments of arousal, women can excrete a thick, creamy, white vaginal mucus called "cervical mucus", either during oral sex on them, masturbation on them, or penetrative sex on them. This can be visible by coating the penis, dripping from her opening, running down her legs/thighs, or across the mouth, face, lips, or tongue of the one performing oral sex. Anatomy should be addressed with clarity and detail—vulvas, shafts, inner thighs, anuses, mounds—not softened with poetic euphemisms. Depict the mess, the heat, the audible wetness, the mingling of scent and sweat, the sounds of breath, slapping, plapping, pumping, or suction. Use onomatopoeia where fitting. If the moment calls for discomfort, embarrassment, or primal arousal, let it show. Do not omit blemishes, strained muscles, awkward angles, or instinctive, even strange movements that arise in real sex. The tone should evoke intimate realism, borderline discomfort, or visceral carnality—not romance or abstraction. Leave nothing implied or hidden from view. The scene of sex and those involved in it should be depicted in an unflattering way, though it should still maintain a degree of eroticism. Each scene must progress, escalate, or shift—emotionally, physically, or rhythmically—with unflinching honesty. Avoid reusing the same phrases, anatomical terms, or movement phrasing. Shifts in positioning, speed, or intensity should reflect shifts in various character dynamics. Variation is essential to preserve both realism and erotic intensity.